Theatre of Ocean:
Stories
of performance between Us -
says ‘There
is nothing wrong with I. The I sometimes speaks of “we” better.’
(Chapter
10,
“A
Letter to Grandma”).
Theatre of Ocean is a memoir of out takes from a performance artist moving
backwards and forwards in space and time; it is a series of stories of art and experience
that interweave performance, love, art, culture, gender and politics. An established
international performance and video artist, New Zealand choreographer Alexa Wilson
based in Berlin, guides the reader through fragmented musings that traverse the spaces
between cultures and identities at a digitally, politically and environmentally escalating time
in the early 21st Century.
The writing in Theatre of Ocean ranges from hyper-emotional prose-poem to film script to academic feminist critique to humour piece. Written largely in Berlin, the book expresses a feminism through a theatre of words; juxtaposing real stories with art works and musings performed, scripted, staged, or improvised, Theatre of Ocean reveals an artist clawing at the possibilities for socio-political change in the fabric of our world, in a dynamic triumvirate of settings: New York, Berlin, New Zealand.
Theatre of Ocean uses its central metaphor to connect everyone and everything through a relentless ocean of performances within frameworks of experience, often violent, offering the reader opportunities for engagement. Ultimately, it is the opposite of an autobiography about an individual – it is stories of performance between an individual and her audience as well as those in her world, the collective forces that both affect and are affected by an individual, and what an individual can do to transform these forces.
Theatre of Ocean is 70,000 words and was edited by Lauren Oyler in Berlin.
Photo: Superbreath, Berlin 2017
The writing in Theatre of Ocean ranges from hyper-emotional prose-poem to film script to academic feminist critique to humour piece. Written largely in Berlin, the book expresses a feminism through a theatre of words; juxtaposing real stories with art works and musings performed, scripted, staged, or improvised, Theatre of Ocean reveals an artist clawing at the possibilities for socio-political change in the fabric of our world, in a dynamic triumvirate of settings: New York, Berlin, New Zealand.
Theatre of Ocean uses its central metaphor to connect everyone and everything through a relentless ocean of performances within frameworks of experience, often violent, offering the reader opportunities for engagement. Ultimately, it is the opposite of an autobiography about an individual – it is stories of performance between an individual and her audience as well as those in her world, the collective forces that both affect and are affected by an individual, and what an individual can do to transform these forces.
Theatre of Ocean is 70,000 words and was edited by Lauren Oyler in Berlin.
Photo: Superbreath, Berlin 2017
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